Go Outside and Play!

Go outside and play!” said God.
“I have given you Universes
as fields to run free in!
And here—take this and wrap yourself in it—It’s called:
LOVE
and It will always, always keep you warm.
And stars! The sun and the moon and the stars!
Look upon these often, for they will remind you
of your own light!
And eyes…oh, gaze into the eyes of every Lover.
Gaze into the eyes of every other
for they have given you their Universes
as fields to run free in.
There.
I have given you everything you need.
Now go, go, go outside and play!”

‘Go Outside and Play’ © 2007 Em Claire
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Sunday, April 7, 2013

MERRIE MONARCH 2013

"Hula is the language of the heart and therefore,  the heartbeat of our Hawaiian people."
                                                              ~King David Kalakana




The Merrie Monarch Festival is dedicated to the memory of King David Kalākaua, known as the Merrie Monarch. King Kalākaua came to the throne of the Hawaiian Kingdom in 1874 and reigned until his death in 1891. He was a patron of the arts, especially music and dance.

Kalākaua restored Hawaiian cultural traditions that had been suppressed for many years under missionary teachings.  He advocated a renewed sense of pride in such things as Hawaiian mythology, medicine, chant, and hula.

Ancient Hawaiians had no written language, but chant and hula served to record such things as genealogy, mythology, history, and religion.  Hula, the dance of Hawaiian people, was one means by which culture was expressed and passed down through generations.

The Merrie Monarch Festival has steadfastly maintained the teachings of our kupuna, our elders, and in doing so we strive to perpetuate the history and culture of Hawaiian people in a manner that respects those teachings.  Through our efforts, along with those of other organizations, we hope to ensure that the unique traditions of Hawaiian people will continue to flourish.



History of the Merrie Monarch Festival

The Merrie Monarch Festival began in Hilo, Hawaiʻi in 1963 when Helene Hale, the Chairman of the County of Hawaiʻi, looked for a way to attract tourists to the island. Hawaiʻi Island needed an economic boost after suffering from a tidal wave and business downturn.

“I was the Executive Officer of Hawaiʻi – it wasn’t called mayor … when the sugar industry went down, it was very depressed over here,” said Helene Hale.

Hale sent her Administrative Assistant, Gene Wilhelm, and her Promoter of Activities, George Naʻope, to check out the Lahaina Whaling Spree on Maui to see what lessons could be brought back.   They returned inspired.

In 1964, the festival consisted of a King Kalākaua beard look-alike contest, a barbershop quartet contest, a relay race, a re-creation of King Kalākaua's coronation, and a Holoku Ball among other events.  But by 1968 the festival fell into hard times and would have been suspended had it not been for Dottie Thompson, who took over as Executive Director of the festival.

“My mom wanted to move the festival more toward a Hawaiian theme, and so she brought back Uncle George Naʻope and Albert Nahalea," said current festival president, Luana Kawelu.  "Uncle George would be in charge of the pageantry and the coronation, and Albert Nahalea would be in charge of the music.  They wanted to replicate what King David Kalākaua had done, bringing the best hula dancers from around the islands to come and perform and share quality and the authenticity of hula at the time.”

With advice from the hula masters, "Aunty" Dottie and "Uncle" George introduced a hula competition in 1971. Nine wahine (women) hālau entered that first year, and Aloha Dalire won the first Miss Hula title.  In 1976 when the festival opened the competition up to kāne (men), the festival began to take off and attracted hordes of enthusiastic fans.

Today, the festival enjoys enormous popularity and worldwide attention.

  Cathy and Natalie enjoying the scenery at the Merrie Monarch at Hilo Bay


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